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Otto Schade - Stone, scissors, paper. Spray paint on canvas, 100 x 100 cm (2014)

Otto Schade - Stone, scissors, paper. Spray paint on canvas, 100 x 100 cm (2014)

[VIDEO]

collezionistadisabbia:

Emma McNally; Hybrid5; Hybrid 2; hybrid; 11; 5

http://www.flickr.com/photos/emmamcnally/

[VIDEO]

pleasedontsqueezetheshaman:

I finally ran out of body parts.

(x)

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blech:

Oskar Schlemmer, diagram for “Gesture Dance,” 1926 (via, via, via):

His work for the Bauhaus and his preoccupation with the theatre are an important factor in his work, which deals mainly with the problematic of the figure in space. People, typically a stylised female figure, continued to be the predominant subject in his painting. Influenced by Cubism, he usually integrated this figures into geometric structures. 

blech:

Oskar Schlemmer, diagram for “Gesture Dance,” 1926 (viaviavia):

His work for the Bauhaus and his preoccupation with the theatre are an important factor in his work, which deals mainly with the problematic of the figure in space. People, typically a stylised female figure, continued to be the predominant subject in his painting. Influenced by Cubism, he usually integrated this figures into geometric structures. 

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[PHOTO]
frank bretschneider super.trigger (2013)
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[PHOTO]
Cover art by Zeke Clough for Shackleton’s Drawbar Organ EP Pt.3 (2012).

Cover art by Zeke Clough for Shackleton’s Drawbar Organ EP Pt.3 (2012).

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[QUOTE]
The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness.
— Vladimir Nabokov, Speak, Memory: A Memoir (1951)
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"We were looking for authentic genuineness and simplicity and we found them in our punk performances. Passion, openness and naivety are superior to hypocrisy, cunning and a contrived decency that conceals crimes. The state’s leaders stand with saintly expressions in church, but their sins are far greater than ours. We’ve put on our political punk concerts because the Russian state system is dominated by rigidity, closedness and caste. Аnd the policies pursued serve only narrow corporate interests to the extent that even the air of Russia makes us ill." — Translated extract from closing statement from Nadezhda Tolokonnikova in Pussy Riot trial (Aug 8, 2012)

"We were looking for authentic genuineness and simplicity and we found them in our punk performances. Passion, openness and naivety are superior to hypocrisy, cunning and a contrived decency that conceals crimes. The state’s leaders stand with saintly expressions in church, but their sins are far greater than ours. We’ve put on our political punk concerts because the Russian state system is dominated by rigidity, closedness and caste. Аnd the policies pursued serve only narrow corporate interests to the extent that even the air of Russia makes us ill." — Translated extract from closing statement from Nadezhda Tolokonnikova in Pussy Riot trial (Aug 8, 2012)

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[PHOTO]
Cover art for Demdike Stare’s Voices of Dust by Andy Votel (2010).

Cover art for Demdike Stare’s Voices of Dust by Andy Votel (2010).